| Sacred Economics: Money, Gift and Society in the Age of Transition |
n.d |
Eisenstein |
| The Cave of Altamira: 22,000 Years of History |
n.d |
Lasheras |
| The four pillars of Rock Art Conservation and Practice: Success Stories in Australia |
n.d |
Little |
| Makasva: Archaeological heritage, rainmaking and healing in Southern Africa with special reference to Eastern Zimbabwe |
n.d |
Pwiti et al |
| ‘Ice Age’ art along the Nile |
n.d |
Huyge and Claes |
| Rock Art at Risk |
n.d |
|
| Crafting a Statement About the Power of Rock Art |
n.d |
Little |
| Cultivating Landscape Spirits to Create an Identity |
n.d |
Ramsay |
| Carved Footprints and Prehistoric Beliefs: Examples of OF Symbol and Myth Practice and Ideology |
n.d |
Bertilsson |
| Back to the future: restitution, stolen artifacts and guarding against a willing amnesia |
n.d |
Moiloa |
| Defining the role of the rock art conservator |
n.d |
Wong and Little |
| Tentative List Process |
n.d |
extract |
| The Value of Conservation in the Twenty-First Century: The Nigerian Story |
n.d |
Okpalanozie |
| Rock Art, Scripts and proto-scripts in Africa: the Libyco-Berber Example |
n.d |
Le Quellec |
| The cultural landscape of the Shashe-Limpopo confluence zone: threats and challenges of preserving a World Heritage setting |
n.d |
Pikirayi |
| The power of culture for development |
n.d |
UNESCO |
| Tracing the Origins of the Ancient Egyptian Cattle Cult |
n.d |
|
|
|
|
| Algerie-Tunisie |
n.d |
ICOMOS/Dupuy |
| Tchad |
n.d |
ICOMOS/Simonis et al |
| Libye – Égypte – Nord du Soudan |
n.d |
ICOMOS/Gauthier |
| Mali: Les gravures rupestres de l’Adrar des Iforas |
n.d |
ICOMOS/Dupuy |
| Maroc / Sahara atlantique marocain – Mauritanie |
n.d |
ICOMOS/Salih |
| Mauritania – Western Sahara |
n.d |
ICOMOS/Soler Subils |
| Libye: Plateau du Messak |
n.d |
ICOMOS/Van Abalda |
| Studies and documents on the cultural heritage
Rock Art in the Sahara: Conservation Methodology and Management |
1986 |
UNESCO |
| Afro-Brazilian architecture in Lagos State : a case for conservation |
1994 |
Alonge, M Moji D |
| Handbook of Standards: Documenting African Collections |
1996 |
ICOM |
| The UNESCO Courier: Rock Painting and Engraving |
1998 |
UNESCO |
| Guidelines for Guiding Visitors to Rock Art Sites |
2001 |
ARARA |
| ARARA Guidelines for Managers of Rock Art Sites on Public Lands: Public Access |
2001 |
ARARA |
| The Dating of Rock Art: a Critique |
2002 |
Bednarik |
| Crossroads: Addressing Climate change together |
2002 |
US Mission in Nigeria |
| The prehistoric rock art of Morocco: a study of its extension, environment and meaning |
2002 |
Seabright |
| Periodic reporting exercise on the World Heritage Convention : African region |
2003 |
UNESCO |
| The Geoarchaeology of Western Sahara: Preliminary results of the first Anglo-Italian Expedition in the liberated zone |
2003 |
Brooks et al |
| Aridity, Change and Conflict in Africa |
2003 |
Pöllath |
| Running a museum: a practical handbook |
2004 |
ICOM |
| Bauchi State of Nigeria: Inventory of Immovable Cultural Heritage |
2004 |
Odiaua and Delboy |
| Traditional conservation practices in Africa |
2005 |
Joffroy |
| Considerations on the Art and Aesthetics of Rock Art |
2005 |
Morales |
| Cultural Heritage and Conflict: The Threatened Archaeology of Western Sahara |
2005 |
Brooks |
| Four Millennia of Cultural History in Nigeria (ca. 2000 B.C.–A.D. 1900): Archaeological Perspectives |
2006 |
Ogundiran |
| Built to meet needs : cultural issues in vernacular architecture |
2006 |
Oliver |
| Building monuments, creating identity: Cattle cult as a social response to rapid environmental changes in the Holocene Sahara |
2006 |
Di Lernia |
| World Heritage places rated |
2006 |
National Geographic/Tourtellot |
| Archaeology in conflict: cultural heritage, site management and sustainable development in conflict and post-conflict states in the Middle East |
2006 |
Rico |
| BaTwa in the mist |
2006 |
Barham |
| The Art of Africa: a resource for educators |
2006 |
Clarke |
| Prehistoric Swimmers in the Sahara |
2006 |
De Flers et al |
| Rock Art at Risk |
2006/2007 |
|
| Recording, Documentation, and Information Management for the Conservation of Heritage Places: Guiding Principles |
2007 |
Letellier |
| Cultural heritage and the law : protecting immovable heritage in English-speaking countries of sub-Saharan Africa |
2008 |
Ndoro et al (eds) |
| Sacred Sites: an overview |
2008 |
Thurley and Gunn |
| Business Planning for natural World Heritage sites: a tool kit |
2008 |
UNESCO |
| Deliberative Public Engagement: nine principles |
2008 |
NCC |
| World Heritage Information Kit |
2008 |
UNESCO |
| Characterisation and Consolidation of Historical Lime Mortars in Cultural Heritage Buildings and Associated Structures in East Africa |
2009 |
Ngoma |
| World Heritage Sites in Conflict and Post Conflict Regions of Africa |
2009 |
AWHF |
| Guidelines for Writing a Scope of Collections Statement |
2009 |
California State Parks |
| Rock Art Site Management Plan: Kaoxa’s Shelter – Machete |
2009 |
SANParks |
| ICCROM Newsletter 35: special Edition |
2009 |
ICCROM |
| Rock Art Sites on the UNESCO World Heritage List |
2009 |
UNESCO-ICOMOS |
| Unsettled times: shaded polychrome paintings and hunter-gatherer history in the southeastern mountains of southern Africa |
2009 |
Mazel |
| Africa: Early History to 1000 C.E. |
2009 |
Craig et al |
| Impact assessment and heritage management in Africa: An Overview |
2010 |
Sinamai et al |
| Traditional Custodianship of Rock Art Sites in Central Mozambique: a case study from Manica District |
2010 |
Jopela |
| International Newsletter on Rock Art |
2010 |
Min. de la Culture |
| Towards a condition monitoring of rock art sites: the case of BNE 1 in Free State Province, South Africa |
2010 |
Jopela |
| Best Practices for Completing the Comparative Analysis for a Cultural Landscape such as the proposed Pimachiowin Aki World Heritage Nomination |
2010 |
Didora |
| The ‘Cave of Beasts’ (Gilf Kebir, SW Egypt) and its Chronological and Cultural Affiliation: Approaches and Preliminary Results of the Wadi Sura Project |
2010 |
Forster et al |
| Stone Conservation: an overview of current research |
2010 |
Doehne and Price |
| Report on the Second Periodic Reporting in Africa |
2011 |
UNESCO |
| Directory of Arts and Culture Organisations active in the CEMAC region |
2011 |
CREATE |
| Human Evolution: Adaptations, Dispersals and Social Developments (HEADS) |
2011 |
UNESCO |
| Investigating Animal Burials Ritual, mundane and beyond |
2011 |
Morris |
| Schematic Rock Art, Rain-Making and Islam in the Ethio-Sudanese Borderlands |
2011 |
Fernandez |
| A 100,000-Year-Old Ochre-Processing Workshop at Blombos Cave, South Africa |
2011 |
Henshilwood |
| Imbalance of World Heritage List: Did the UNESCO Strategy Work? |
2011 |
Steiner and Frey |
| Power and landscape in Atlantic West Africa: Archaeological perspectives |
2012 |
Monroe and Ogundiran |
| Managing Rock Art Sites |
2012 |
Magar |
| Rock Art West of Dakhla: “Water Mountain” Symbols |
2012 |
Berger |
| International Cultural Heritage Conference: Culture Matters 2012 |
2012 |
EU |
| Megalithic monumentality in Africa: from graves to stone circles at Wanar, Senegal |
2012 |
Laporte et al |
| Rock art conservation and management resource kit |
2012 |
McNeil and Taçon |
| Adoranten 2012: Scandinavian Society for Rock Art |
2012 |
SSRA |
| Report on the 3rd African Nomination Training workshop for English speaking countries |
2012 |
CHDA |
| A New Discovery of Recent Prehistory in Djibouti: the Asgoumhatian Culture |
2012 |
Poisblaud |
| Managing Cultural World Heritage |
2013 |
IUCN/ICOMOS/ICCROM |
| Conservation of archaeological heritage: a bibliography |
2013 |
ICOMOS |
| Cultural routes management and conservation: a bibliography |
2013 |
ICOMOS |
| Rock Art research in Africa |
2013 |
Smith |
| Pleistocene Palaeoart of Africa |
2013 |
Bednarik |
| Chongoni rock art area |
2013 |
Smith |
| The Heritage Education Toolkit for heritage clubs in Uganda |
2013 |
CCFU |
| World Heritage Capacity Building |
2014 |
IUCN/ICOMOS/ICCROM |
| SEEKING SUSTAINABLE ROCK ART TOURISM: THE EXAMPLE OF THE MALOTI-DRAKENSBERG PARK WORLD HERITAGE SITE |
2014 |
Duval and Smith |
| The Evolution of Heritage Management: Thinking Beyond Site Boundaries and Buffer Zones |
2014 |
Ackerman |
| When Sahara was green |
2014 |
Rossouw |
| Merging research, conservation and community engagement: Perspectives from TARA’s rock art community projects in Kenya |
2014 |
Borona and Ndiema |
| Expression No 6 |
2014 |
UISPP-CISENP |
| Expression No 5 |
2014 |
UISPP-CISENP |
| To Be or Not to Be a Tourist: The Role of Concept-Metaphors in Tourism Studies |
2014 |
Salazar |
| Technological approach to ceramics deposits in Senegambian megalithism: the example of the necropolis of Wanar (Senegal) – PPT |
2014 |
Delvoye et al |
| Rediscovering Community Archaeology in Africa and Reframing its Practice |
2014 |
Schmidt |
| Ethics in African Archaeology |
2014 |
Smith |
| The archaeology of northern Nigeria: trade, people and polities, 1500 BP onwards |
2014 |
Sule and Haour |
| Shipwrecks around the world: Revelations of the past world history from the seabed: Rescuing a Portuguese shipwreck off the coast of Namibia |
2015 |
Chirikure and Sinamai |
| Mapping the Archaeology of Somaliland: Religion, Art, Script, Time, Urbanism, Trade and Empire |
2015 |
Mire |
| Rock Art: a cultural treasure at risk |
2015 |
Agnew et al |
| The Petrie Museum of Egyptian Archaeology: Characters and Collections |
2015 |
Stevenson (ed) |
| Transacting UNESCO World Heritage: gifts and exchanges on a global stage |
2015 |
Meskell |
| Report on the implementation of the UNESCO 2015 Recommendation on Museums and Collections |
2015 |
UNESCO |
| Traditional management systems at world heritage sites in Africa |
2016 |
Abungu et al |
| Applied Methods for Upgrading Documentation of Immovable Heritage in Lesotho |
2017 |
Sinamai et al |
| Melodies of God: Significance of the Soundscape in Conserving the Great Zimbabwe Landscape |
2017 |
Sinamai |
| Myths as metaphors: understanding narratives in sustaining sacred landscapes in Zimbabwe and Australia |
2017 |
Sinamai |
| Aspects of Archaeology of the 19th Century Jihad: Some Evidence from Tirwun Site near Bauchi, Nigeria |
2017 |
Sule |
| Troubled Waters : developing a new approach to maritime and underwater cultural heritage in sub-Saharan Africa |
2017 |
Sharfman |
| A Contribution to Heritage and Islamic Archaeology of Bauchi Region, Northern Nigeria In: West African Journal of Archaeology (WAJA), University of Ibadan Press, Vol. 47, pp.81-100. |
2017 |
Sule |
| ICOM Code of Ethics for Museums |
2017 |
ICOM |
| Community Engagement: What You Need to Know |
2018 |
ArtsEngaged |
| Archaeomorphological Mapping: Rock Art and the Architecture of Place |
2018 |
Delanoy et al |
| Permanence, Temporality and the Rhythms of Life : Exploring Significance of the Village Arena in Igbo Culture |
2018 |
Ugwuanyi and Schofield |
| World Heritage for Sustainable Development in Africa |
2018 |
Moukala and Odiaua (eds) |
| Awareness raising & advocacy: Learning kit for heritage civil society organisations |
2018 |
Europa Nostra |
| Citizen engagement & education: Learning kit for heritage civil society organisations |
2018 |
Europa Nostra |
| African Cultural Heritage Conservation and Management: Theory and Practice from Southern Africa |
2018 |
Sinamai |
| Guidelines on Deaccessioning of the International Council of Museums |
2019 |
ICOM |
| Values in heritage management: Emerging Approaches and Research Directions |
2019 |
Avrami et al (eds) |
| Étude Comparative: L’art rupestre d’Abourma Djibouti |
2019 |
Little |
| Issues in the Protection of Heritage Properties through the Nigerian Urban and Regional Planning Law: Regenerating Nigerian Cities for Sustainable Development. (2019). |
2019 |
Onyejekwe et al |
| Rapport de mission d’expertise sur le site d’Abourma et ses gravures rupestres, région de Tadjourah, République de Djibouti. |
2019 |
Little et al |
| Food Security, Food Sovereignty, and Indigenous Knowledge |
2019 |
Ogundiran |
| Conceptual and Strategic Foundation for effective integration of Cultural Heritage Impact Assessment in Site Analysis Report and Plan. Envisioning Nigerian Cities Beyond 2020 (2020). Book of Proceedings, Pg 56 |
2020 |
Onyejekwe et al |
| Managing Epidemics in Ancestral Yorùbá Towns and Cities: “Sacred Groves” as Isolation Sites |
2020 |
Ogundiran |
| Central Sudan |
2020 |
Magnavita and Sule |
| Final Summary Report UNESCO Webinar: Opportunities, Challenges, and Best Practices in the Development of Distance Education Resources for Museums in Eastern Africa |
2020 |
UNESCO |
| Time-space politics and heritagisation in Africa: understanding where to begin decolonisation |
2020 |
Ugwuanyi |
| ‘We are Still Here’: African Heritage, Diversity and the Global Heritage Knowledge Templates |
2020 |
Sinamai |
| A Shifting Landscape for Rock Art Funding After 2020 |
2020 |
Little |
| Ihé Ńkètá and Òkè: concepts and practice of indigenous cultural heritage management in the Igbo cultural area of south-eastern Nigeria |
2021 |
Onyemechalu and Ugwuanyi |
| Preventive conservation training: A partnership between the UK and Myanmar |
2021 |
Henderson et al |
| Heritage Ontologies in Nigeria: An Analysis of How Heritage Connects and Disconnects People |
2021 |
Ugwuanyi et al |
| Report on the results of the Third Cycle of Periodic Reporting exercise in Africa (World Heritage) |
2021 |
UNESCO |
| Adapting our culture: a toolkit for cultural organisations planning for a climate changed future |
|
Patterson |
| Ivhu rinotsamwa: Landscape Memory and Cultural Landscapes in Zimbabwe and Tropical Africa |
2022 |
Sinamai |
| The Bakor Monoliths: Preserving ancestral stones in south-eastern Nigeria |
2022 |
Factum |
| Engaging Communities in Conserving the Bakor Monoliths |
2022 |
Little |
| Guidance and Toolkit for Impact Assessment in a World Heritage context |
2022 |
Court et al |
